
Enjoy how Lil Rascal often raps in a nice swing (first song, One a Day, for a good example), accenting the same beats as the hi-hat in a typical blues shuffle (Here is a fruity guy teaching how to play a blues shuffle on the drums). Even though much of contemporary rock and hip-hop employs a straight quarter note hi-hat pattern during most backbeats, the shuffle feel is ubiquitous. Rather than using the hi-hat to provide the swing, the kick drum serves this purpose. This is particularly obvious in the sparse beats so prevalent in early 90s New York hip-hop. Let me think of a good example um um um: stab your brain with your nosebone. Then you start to realize that syncopated kick is just absolutely everywhere.
Anyway, this Lil Rascal album is a great slice of G-funk influenced Texas rap, and dude doesn't just hugely, massively bite 2Pac.
3 comments:
"using the internet like regular caveman."
Intentional or hilarious typo? It seems like it could go either way.
I was going to comment that I am one of those regular cavemen, but I decided to look at your post via the reader and then I couldn't comment!
HUNGRY FOR CHEESE LIKE HUNGRY HUNGRY HIPPOOO
Definitely an unintentional typo - will gladly leave uncorrected.
Post a Comment