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These songs are busy with syncopated percussion filling out the not-quite polyrhythmic feel that flirts with that three against four. Guitars dance around major chords in intervallic progressions with plenty of room for improvisation. Nana Kwame Ampandu has an almost matter-of-fact delivery for both verses and call-and response choruses, and the catchiest parts of the songs are often instrumental statements made by the horn section or the keyboard as introductions or as sort of a transition between vocal parts and solo sections. Speaking of which, some of the effects-laden keyboard and guitar tones take on a cosmic psychedelic atmosphere, like the little chirping UFO floating throughout the title track nailing the upbeats for you.
TIME TO GO TO THE DENTIST WISH ME LUCK.
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