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I bet that Someday, Someway sparks a flame of recognition. Hey look this song has even been performed live in concert.
The chorus is certainly the focus of these song structures, but the interesting thing is how smooth all of the transitions are. There are very few breaks or rests or abrupt shifts or anything like that. Even though the chord progression is always changing from part to part, these shifts are barely noticeable. There are also pretty active arpeggios going on all of the time that whites such as The Smiths have also used to great effect over the years. But Marshall Crenshaw, unlike Morrissey, is no bitch. You won't catch him crying about some bullshit. Just kidding, you probably will.
3 comments:
yes
guess which part of this offends me.
Yes Nora, white people can make rock music, too. Sorry this hurts.
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